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Open letter to Shankar
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3rd June 2005
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Open letter to Shankar

Instead introducing myself as Ronzit s. Simha doing textile technology, I would like to do that saying a great admirer and die-hard fan of THE SHANKAR.

This is going to be my second open letter to THE SHANKAR, one was already on idlebrain pages about the flick BOYS and now APARICHITHUDU. While seeing movie I thought to spend time in collecting the adjectives to express my feelings on movie.

A highly watchable offering in the action-thriller genre packed with a fictional punch, aparichitudu undoubtedly grandeurs because of concept, screenplay and direction

First of all movie has got SHANKAR stamp with Hi-Fi technical wizardry. The ever pragmatic man THE SHANKAR who is pensive of doing screenplay and direction has done it extraordinarily. Moulding the trifle point (carelessness) into three hours of celluloid with a new unsurpassed characterization of multiple personality disorder. Its really a feat which could only done by the SHANKAR.

None other than SHANKAR has zeal to change the society that is why each and every frame of the movie is thought provoking, to put in other way movie is MANIFESTATION OF MORALITY AND DICIPLINE.

Firstly, I must talk about characterisation of three characters is apt and acme with out any confusion and the director made it agile and saturated. The calibre or Ramu shows how a human should be and what should be. The APARICHITUDU character is valor one and it surely shoots the caption HE WHO COMES FROM HELL DOESNT AFRAID OF HOT ASHES. The way which director shown aparichutudu view through hair is really innovative idea. The body language resembles like Arnold and Stallone (terminator & rambo) gave muscular appearance. Vikram did his job fair and awesome but I wish sadaf had not put weight.

Direction of many scenes are really irrestable, marshal arts fight, the fight when Ramu beaten badly and the shadow of aparichitudu on water while collecting leaches is simply superb.

The ultimate credit definitely goes to the concept (garuda puranam)which is elusive to one's thought.the screenplay of garuda puranam frames and referring those names in jumble is incredible. Each and every dialogue in the movie stirs the souls of audience.

The only nub where the movie got pulled down is at music and actress but the epilogue after each murder scene is typical. If the music would have scored by AR.RAHMAN definitely movie could have fallen in the category of Hollywood.

A great applause to SHANKAR'S UNIQUENESS. OWN INTEREST & PAINS he took to direct the songs (kumari, nokia, randaka, ayengar) but Remo song doesn't have Shankar stamp. This is why I am very much inspired by him.

Myself dreaming as SHANKAR'S assistant i would like to put out some scenes which are confused....

1. Not all the five complaints seen and sent from same phone line(villipuram chokkalingam's complaint is given from railway station)
2. Dupe of vikram can be seen in some shots of marshal arts fight
3. Why couldn't sadaf differentiate ramu and remo?
4. Why should sadaf take vikram to hospital instead police station?
5. How could vikram abscond after live show?

The best thing about APARICHITUDU is that it actually delivers on all things that have been promised in the build up to the movie.

One thing can be for sure with out SHANKAR as director movie would have been dark.

I request all of you to kindly know the gist of the movie


ronzit s.simha

[email protected]

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