|
In this yet another teenage love story. Prasanna and Keerti
play college students and bear their real-life names on reel
too. As usual, there are campus scenes where the two try to
outwit each other in their pranks. Eventually, they fall in
love.
Prasanna's
father Prasad (Ahuti Prasad) is introduced as a chess Grandmaster.
He plays with his son's friends for fun as they request him
for autographs. When he is about to checkmate his opponent
in the second game, a couple of fingers come into close up
and move the pawn, checkmating the Grandmaster himself. And,
the boy who makes the move comes into focus. This scene is
obviously created to indicate that the father-son duo is about
to checkmate each other in life when Prasanna and Keerti decide
to marry.
Prasad does not want his son to marry Keerti, as he promises
his dying sister to get her daughter (Shaheen) married to
him. From this point, Prasad's game plan is on. First, he
asks his son to stay away from Keerti for one month, and if
the two still feel the same about each other at the end of
the stipulated time, he would not object to them marrying.
From then on, Prasanna behaves as if he hates Keerti, Prasad,
meanwhile, tries bringing his niece closer to his son. This
creates a misunderstanding between the lovers. Rest shows
how this problem is resolved.
A weak subject and weaker treatment mars the movie. The patriotic
song, though introduced artificially, is the only saving grace.
A lot of computer graphics are used to picturised the songs.
Prasad's attempts to separate the lovers are the weakest point
of the subject and stagnates the pace of the narration.
Both the newcomers are good-looking and promising. But, they
are victims of poor script. Venumadhav in the college campus
is a big distraction, in the name of comedy.
courtesy:
The Hindu
Other
Links
Jeevi review
Juke Box
Photo Gallery
|
Do you have a suggestion for us? Please send
us the feed back
