Riding high on the success of Narasimha Naidu, Balkrishna
gets another high profile role of an action hero. But writers
Chinnikrishna (story) and Paruchuri Brothers (dialogue and
screenplay) slip into the routine path. The story is confusing
in its narration.
There are countless characters, most of them dispensable.
A series of flashbacks introduce the characters but in trying
to link them all together, the confusion gets compounded.
Dhanujay (Raghuvaran) takes the lead, with a grudge against
a police SI Chandrasekhar (Charanraj) as the latter killed
his son.
He vows to kill Chandrasekhar's son in retaliation. Balakrishna
plays Durga Prasad, a police officer.
Years later Durga Prasad promises Dhanujay to avenge his son's
murder. Dhanunjay is so pleased that he adopts him as his
son. When everything is going well, Dhanunjay's sister Chamundeswari
(Sivaparvati) happens to visit her brother and discover her
arch enemy Durga Prasad being grommed by her brother. She
reveals that Durga Prasad being groomed by her brother. She
reveals that Durga is none other than the police officer Durga
Prasad, who killed her people when he was posted in her area.
Hema (Simran) is the daughter of a landlord (Jayaprakash Reddy),
in a village. The family has a different story relating to
Hema's love and marriage with Durga.
There is another mandatory second heroine, played by Reema
Sen. She is a given a very poor role. She too loses her heart
to him and disappears later.
Saikumar acts in yet another purposeless role. There is a
fourth irrelevant character of Visweswara Rao (K. Viswanath)
who is declared suddenly as the father of Saikumar and godfather
of Durga Prasad. Durga Prasad turns out to be the missing
son of Chandrasekhar.
The film ends with all the villains getting vanquished. Lack
of cohesive narration makes it rather confusing.
Only Balakrishna and Simran, make their presence felt. Raghuvara
nis his usual self. Reema Sen is sacrificed at the altar of
script writing, so are comedians Brahmanandam, Tanikell Bharani
and Gundu Hanumantha Rao. Sivaparvathi, cantankerous woman.
Mani Sarma's music sounds traditional and good in the devotional
song rendered by SP Balasubrahmanyam. V.S.R. Swamy has done
a fine job as cinematographer.
courtesy:
The Hindu
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