Story

Surya (Aryan) is a man who hates love. But somehow he is charmed by Brinda (Anitha). Brinda likes his attitude and admires him as a friend. But her admiration coupled with a few coincidences makes Surya think that she is in love him. When he is expecting her to spell those magical words (I love you), she introduces Surya to her fiancée (Sai Kiran). After Brinda weds her beau, a damsel (Bhumika Chawla) meets Surya and explains the flashback. That beautiful girl is a silent admirer of Surya and had been following him for years. She proposes to Surya when they were in college. Surya asks her to come back once he is financially settled, as love and life after needs security. Finally Surya settles for her and movie ends on a happy note.

Artists Performance
Aryan improved a lot in this film. He suited the character very well. The dubbing voice given to Aryan is also effective. Sivaji changed his comedy style in this film. He aped Rajendra Prasad in dialogue delivery to generate comedy. Anitha did well in her limited role. Sindhu Menon does not have any much role to play. Bhumika Chawla is the surprise pack of the film. She makes her entrance in the film when people started walking out thinking that the film is over. She has around 10-minute role at the end of the film. The comedy track by Ali - Mallikharjun is not interesting. The comedy track by Krishna Bhagavan is partly good. It's a typical supportive father role for Chandra Mohan.

Technical Departments:

Screenplay - direction: Director EVV Satyanarayana tried his best to give a break to his son Aryan's career with this film. But this kind of film is not EVV's cup of tea. It's a sensitive triangular love story. Hence he could not efficiently narrate the story in a gripping style. He has also unnecessarily included fight sequences to give the hero a mass image. Those fights - though very effectively canned - are of no use to storyline. EVV strength is comedy and sentiment. If he could mix these two and make a film with Andhra nativity (probably village based) with character speaking in proper Godari slang, people would love to see his films. He has been trying to experiment with stories in the last three instances (Hai, Thottigang and Aadanthe Ado Type) in stead of maximizing his strengths and making entertainers.

Other departments: Music by Yavan Shankar Raja is good, but lacks nativity. Dialogues by Janardhan Maharshi are OK. Photography is good. The songs picturization is okay. The best of the lot is the one that is canned amidst pyramids in Egypt.

Analysis:
The basic story line deals with sensitive love. Its a Tamil story remade in to Telugu. The director need to inject the emotions of the characters very strongly in to the minds of viewers. Though the narration sounded neat, the emotions of the film were not brought out. EVV should stop handling subjects which he is not familiar with and start adapting the his good old narration style, which has given his blockbusters in the past.

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