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Story
Hemant (Dileep) and Lavanya (Rekha) are childhood friends
who are studying their degree now. The parents of Hemanth
and Dileep are also very good friends since their childhood.
But the father of Hemant is a rich business magnate and the
father of Lavanya is a middle-class guy. Hemanth's father
is very particular about money and he gives more priority
to money compared to friendship.
The
inevitable thing happens. Hemanth and Lavanya are in love.
Hemanth father wants Hemant to marry a girl who belongs to
a family, which is equally rich. Lavanya father knows the
preferences of Hemanth's father. Hence, he asks his daughter
to cut the relationship with Hemanth. The rest of the film
revolves around how the love couple makes their parents realize
that the love is above money.
Artist
Performances:
Dileep:
This non-Telugu fair skinned actor is a model material. He
is not suitable for movies. His receding hairline and weak
body language are the main drawbacks. As he does not know
Telugu, it's very difficult for him to understand and act
in most of the scenes where the dialogues should be told with
appropriate native expressions.
Rekha:
Though she looks cute, her range of expressions is very limited.
After watching her in Anandam and Jabili, one will get a feeling
as if she is becoming redundant.
Technical Departments:
Screenplay - Direction: After watching the 'Nuvve Kavali',
SV Krishna Reddy seems to have got inspired. This film is
a poor imitation of 'Nuvve Kavali'. The characterization is
very similar, but the impact is nil. SV Krishna Reddy should
stick to what he is best at - comedy and family stories. By
trading into the zone of youth love stories, he is making
himself vulnerable. Not even a single shot in the film grabs
your attention.
Story
- Dialogues: Janardhan maharshi, the aasthana writer
of EVV Satya Narayana, has provided story and dialogues for
this film. Diwakar Babu is the only writer who can match up
with the wavelength of SV Krishna Reddy. Janardhan Maharshi
tried to imitate the dialogue-writing style of Trivikram Srinivas,
but in vein.
Music:
Music is very ordinary and is in the typical style of SV Krishna
Reddy. 'Vayasu Talupu Triche', the second song in the film
was well shot. A good song 'Ganga Yamuna' is pictured in an
ineffective way.
Production:
After having a learning experience with Janardhan Maharshi
in 'Bava Nachadu', one would fail to understand why M Arjuna
Raju has repeated him as writer again for 'Jabili'.
Analysis:
The first half of the film has nothing to offer. Due to some
problems, in Satyam Theater (shift theater), they have shown
6th reel before 5th reel in this film and nobody noticed it.
That was the kind of impression Jabili has made on the viewers.
The story starts in the interval and drags till the climax.
The only console in the film is occasional parallel comedy
track by Brahmanandam. This film has no soul. You can watch
it on your video at leisure. If you want to watch it on the
big screen, do it at your own risk.
Jabili
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