open letter to Teja
looks like people writing to idlebrain.com are reacting more to
Teja's comments in his interviews rather than his work. So, guys,
relax and don't be so acerbic in your remarks.
you made a comment that critics watch a film like they solve a mathematical
puzzle. This reminds me of a joke. Two friends - one a scientist
and another an artist, see a rose in a garden. While the artist
describes the beauty of the flower in glorious terms, the scientist
plucks the flower, tears it apart and starts investigating. If we
ask who did the right thing, we will not get a correct answer. Because,
its all upto ones judgment. That's the difference between a critic
and an ordinary cinegoer. They watch a film in their own perspective.
We can blame neither of them. So, dear Teja, it is not desirable
to say critics dont assess a film properly. There are a few directors
like Mani Ratnam who please both the masses and the so called critics.
It means, it IS possible to make such films.
films, as you claim, definitely have a soul. They have, what you
call, emotion. Chitram is a very brave movie. Its not easy to make
a film on teenage pregnancy/motherhood. It is not very prevalent
in India, I guess, its a little ahead of its time as far as India
is concerned. I dont mean it does not exist, but, neither is it
a very serious social issue. One of the open letters described the
"hot scene" as cheap. I say, that scene is brave. Anyone
would be lying if he says he didnt enjoy watching it. And also,
I am not sure it is spoiling young minds. Its high time we talk
more openly about our inner feelings. At the same time, I should
commend you on not making it vulgar. I guess if anyone watches EVVs
films, they will get the meaning of what I mean by saying "vulgar".
Chitram is a brilliant effort and the subject you discussed it very
relevant. I guess, you can think of making a film on such otherwise
didn't have a chance to watch your next film Family Circus. I was
told I was lucky.
Nenu had a brilliant first-half with great doses of comedy. In spite
of the fact that the comedy is built around the teachers, in none
of the scenes did I perceive disrespect to the teachers, as is the
case with many other films. Dharmavarapu was stupendous especially
the modulation in his dialogues. But a very mediocre second half.
I think you came from a modest upbringing and its through a lot
of toil that you came to this level (u are a crorepati after Jayam
:-)) Yours is an inspiring story. But, unfortunately, I sense a
lot of cynicism in your interviews. Supremely confident people are
incredibly humble. And insecure people are cynical. Hope you get
the difference. Its great to be have a lot of self-confidence, but,
its important to retain a bit of humility as well. So, please do
a little bit of self-introspection, relax a bit, and develop a more
positive attitude towards the things you dont like. It makes your
I am saying this is because this cynicism carries to your films
as well. And the second half of Nuvvu Nenu had a lot of this. I
guess, in any adverse situation, there will be a few positive things
and, I believe, people who pull of crises into opportunities are
those who make use of these positives. So, in your films, you can
relax the mood of the audience with a little comedy even in very
serious stages, without diluting the overall mood of the film. Take
RamGopal Verma's films as an example. Like in Kshana Kshanam when
Sridevi says towards the climax " Aa gun lo bullets levu"
. Hope you got the message.
of now, I didn't have a chance to watch Jayam. Once it comes to
theatres in Bangalore, I will watch it. In a theatre - not in any
pirated CDs :-). From the ads in Gemini TV, it looks a decent time
pass film. And a couple of songs are very good. This feature called
post-mortem has the wrong title, I guess. Post mortem is carried
out when a person dies unnaturally. So, its not a very positive
word. And, hence, it cannot be used to hit films. I guess, idlebrain
can use this for box-office duds and not for hit films like Jayam.
you say that critics prefer to tear apart a film into pieces and
analyze, that's what you also did in this section called post-mortem.
I think you can develop a more positive attitude towards critics.
In any design, it is important to divide a large system into smaller
sub-systems, analyze individually, and integrate it at the end.
This is what we do in engineering and that's what critics do to
films. It's a scientific method of analysis. Frankly, even I try
to analyze a film as critics do. But, I never got it right. I keep
wondering how a bad screenplay can spoil a great script. People
mostly concentrate on the dialogues and not the surroundings. Then
how can a film become a flop when there script/direction are good
and the screenplay bad? Probably, I don't know what screenplay means.
regarding the most controversial topic called piracy vis-a-vis NRIs.
I guess, its not fair to blame NRIs for piracy. It happens even
in India, even in AP. If NRIs watch films on CDs, it reflects their
great love and passion for Telugu films and I am not sure anyone
would have the time to know the origin of the CDs they watch. So,
it's wholly upto the film and music industry to curb this problem
of piracy. Of course, filmgoers are ready to cooperate. SO, please
don't blame the NRI population for this issue of piracy. Telugu
NRIs are better. They
Don't expect Telugu films to be like the horrible Hindi films, which
have stories only about people living in London or USA. Our Telugu
guys accept original Telugu films, even if they are made in a village
All the best, Teja! I hope to see a film from you, which satisfies
masses, critics and also the NRIs :-)
A Telugu Film Fan.
To Chiranjeevi from a fan
-> From Raja to Teja
-> From Anupama Prasad to Indra Unit
-> From Prakash to idlebrain.com
-> From Venu to Bala Krishna
-> From Rajesh Sonti to Late
Rao Gopal Rao
-> From Venkat to Usha
-> From Srinivas to EVV Satya Narayana
-> From Balaji to Pawan Kalyan
-> From Naga Kalyan to Pawan Kalyan
-> From Pavan Karthik to Ram Gopal
-> From Pradeep to Teja
-> From Hrudaya to Pawan Kalyan
-> From BKR to Chiranjeevi
-> From Amit Patel to Chiranjeevi
-> From Anupama Prasad to Chiranjeevi
-> Nagarjuna meets idlebrain
openletter writer Raju
-> From Ajay Kumar Reddy to Chiranjeevi
-> From Chandrika to idlebrain community
-> From Raju to Nagarjuna
-> From Bharat to Chiranjeevi
-> From Srinivas Josyula to Chiranjeevi