open letter to Nagarjuna Fans
Brothers (Nag fans),
brought Santosham to all of us.
the year 2000 Nag had delivered 3 hits (Nuvvu
Premistha and Azad)
in a row with in a span of 150 days, which is a unique record in
the industry. Great Train Journey form Vizag to Hyderabad on the
occasion of Nuvvuvasthavani 150 days is first of its kind
in the Film history.
the following year (2001) Nag movies crashed at the Box office like
IT crash. When everybody writes of Nag's career he came back with
a Powerful hit which made all the critics silent.
is not the first time. It happened thrice. And every time history
repeated proving that Nag is the No#1 contender for the No#1 position.
Nag's bouncing back theory relates well to that of the Phoenix bird,
which takes birth from its ashes.
the year 2002, Santosham showered the rain of success at Box office,
which was suffering with drought. It is only a starting for another
many of you might get upset with the number of 100 days centers.
In 25+ centers Santosham paved the way to the major releases
in the month of July after the completion of 72-80 days due to prior
agreements that were made between the Exhibitors and Buyers. Not
only this but also the lack of mass appeal and comedy affected the
chances of getting long run in B centers.
never encourages the culture of 100 days centers, which is prevailing
in Tollywood. This 100 days center culture is nowhere prevailing
in the world except in Tollywood and Madras. As the grass roots
of our industry are from Madras that 'Sambar' smell is still
prevalent. Anywhere in the world success will be measured in terms
of Collections in comparison with the budget with which the film
was made. Can anyone of you say the statistics of any English or
Hindi movie, which ran for 100 days in so many numbers of centers?
No! Who cares for these centers? Statistics will be available in
terms of Rupees and Quality but not in terms of Centers.
will take some more time to our people to rate the success of the
film in terms of Quality and Collections rather than 100 days centers.
Many of Nag's films got shifted after 63 days even though they are
collecting reasonable amount of share because he never encourages
this 100 days center culture.
is odd man out of army where major chunk are putting their enormous
efforts for false publicity, false prestige and false records by
dragging the movies for 100 days with deficit.
is the audience who has to merit the movie. If he gets satisfied
for the amount he spends then that movie will remain in their memories
forever and will cherish at the Box-office.
movies like Santosham created such long lasting impression in the
hearts of the people. In the recent times such movies are rare in
our industry after the demise of Jhandhyala and the departure of
K. Viswanath, Bapu from the direction.
the recent times Santosham is the movie liked by the most of the
family audience form the middle and above middle class. 100 days
centers can't create such impression. It's the quality that matters
but not the quantity.
request you all to respect the Nag's aspirations and enjoy his coming
movies in true spirit. In the coming era of digital theaters (Imax
theaters) there will be no place for the 100 days centers culture.
It's only digits (Rs) that speak the success of the film.
Birth Day to Nag
digi vachina, Swargame rasichhina, ippude
Santosham mundara china pothaye anni kadara
From Ravi to Sirivennela
-> to editor from Ramana Reddy
-> To Chiranjeevi from Buzz
-> To Teja from Kumar Kuppam
-> From Vikram Aditya to Gemini
Kiran and Ramoji Rao
-> Plight of Telugu films by Murthy
-> from a Chiru fan from Bellari to
-> to Allu Arvind from Aditya
-> To Nagarjuna from Krishna
-> To Teja from a Telugu fan
-> To Chiranjeevi from a fan
-> From Raja to Teja
-> From Anupama Prasad to Indra Unit
-> From Prakash to idlebrain.com
-> From Venu to Bala Krishna
-> From Rajesh Sonti to Late
Rao Gopal Rao
-> From Venkat to Usha
-> From Srinivas to EVV Satya Narayana
-> From Balaji to Pawan Kalyan
-> From Naga Kalyan to Pawan Kalyan
-> From Pavan Karthik to Ram Gopal
-> From Pradeep to Teja
-> From Hrudaya to Pawan Kalyan
-> From BKR to Chiranjeevi
-> From Amit Patel to Chiranjeevi
-> From Anupama Prasad to Chiranjeevi
-> Nagarjuna meets idlebrain
openletter writer Raju
-> From Ajay Kumar Reddy to Chiranjeevi
-> From Chandrika to idlebrain community
-> From Raju to Nagarjuna
-> From Bharat to Chiranjeevi
-> From Srinivas Josyula to Chiranjeevi